WEDNESDAY: Scienceworks Children's Museum, Hamlet at OSF for Lana and American Night at OSF for Andy
Peer spent quite a while playing in the Ball Factory at
Scienceworks. He cooperated so nicely with the other children. He would send a bucket of tennis balls one by one down a pipe like the one you see here, then another child would go down below to retrieve them, bring them up to Peer, and it continued on and on... We discovered that when he is using the right side of his brain and engaging in creative play, he is a total chatterbox. But when it's the left side and he's discovered and exploring how things work--like here-- he is totally silent.
The bubble room was lots of fun. Maybe more for Mommy and Daddy.
Playing with water in the toddler area.
More fun with balls, pipes, and suction in the toddler area.
After a delicious stop at
Pita Pit for a quick lunch, we dropped Andy off at OSF for his matinee. He saw
American Night, a new commissioned play by the popular LA-based comedy group
Culture Clash. The play is part of an American Heritage series of commissions that Artistic Director Bill Rauch envisioned when he took the post. I imagine Rauch must have begun his relationship with CC with the play I auditioned for a while back,
Peace, at the
Getty Villa. (the audition went great, but I was disappointed that Rauch was not in the room... and that I didn't get called back. oh well) You'll have to ask Andy for details about the play, since I took Peer home for naptime. He seemed to really like it and be impressed with CC.
Before the show that night, we went to dinner at the home of a new contact that Andy made while trying to book a space to record. A local author and owner of a small publishing company recommended an employee at OSF who could book a room for them. This employee also happened to be the Hip Hop Dramaturg for
Hamlet. (did you know that hip hop had dramaturgs? you do now!) Anyway, the author and her family were there, along with the dramaturg. It was a really wonderful evening with amazing people. I wish we could have stayed longer. We were so glad to make some new friends in Ashland!
That evening I saw an incredible production of
Hamlet in the Bowmer Theatre, directed by Rauch himself. Like I said, Rauch is the Artistic Director of the whole theatre and an accomplished production director himself. Aside from that, the Shakespeare that is done in Bowmer is always fantastic and innovative, so this production was a must-see for both of us. It did not disappoint. The production was set in the present-day and-- believe it or not-- the scene of the play-within-a-play was actually staged as a hip hop number. Don't cringe. It was amazing. Now I'm not a hip hop girl, so I understand your skepticism. But this scene was staged with such an intentional bent toward story-telling that it made the hip hop very appealing. Not just your lame wannabe rap. The text was altered a bit to fit the form, but the iambic pentameter was preserved and the scene was quite incredible. The rest of the show was equally as enthralling, with a very thoughtful Hamlet and an Ophelia that reminded me of a younger, even-more-talented Maggie Gyllenhaal. Here's another cool thing-- the actor playing the Ghost was hearing impaired. So interactions with him and references to late king were all done with ASL incorporated into the text. I thought this was a really nice touch to a play that is first all about words and language. Also, it added a nice touch to the whole plot device of the king having been poisoned in the ear. Very excellent use of the present-day attractiveness of using actors of differing abilities.
