Friday, August 06, 2010

Three Years Ago Today...

I was lying in bed in the early morning hours, unable to sleep. Suddenly, a rush of water flooded the sheets. I was 37 weeks pregnant and the time had come, taking us all by surprise. The first test of faith came early with the decision to either follow doctor's orders and go straight to the hospital, or stay home. At home we would be in privacy, in peace, and under only God's protection. The faith of my husband was greater than mine and we stayed home. He ran to the store to get supplies. I sat alone on my bed. Silently. Peaceful, yet anxious. I waited and prayed for something to happen. I recognized in those silent moments that my faith was weak and the intervention I needed was not medical, but divine. Eventually and slowly the tide began to sweep over me. As pain filled my body, relief and gratitude filled my soul.

He came home. We relocated to the couches, and laid in the darkness. Waiting. Pretending to sleep. Trying to rest. Uncertain of what would lie ahead. Taking note of every sensation. The pain soon moved into my back. No relief was offered between surges. Intensity grew and pain remained constant. We got up and ate something.

As dawn broke, my body was filled with power and overwhelming movement. It was painful, it was intense, and it was all I could think about. We took a short walk, stopping every few moments to rest through the growing tidal waves that were enveloping me. We went home. We ate a real breakfast. We intended to go for another walk, but I said maybe later. I laid down to rest on my side on the couch.

I moaned and moaned with each passing surge. The music I had picked out was too distracting. Relaxing hymns on a solo piano were better. Soon the sensations overcame me and I became consumed in a sea of confusion. I was entering the Dark Forest of Uncertainty. I began to doubt everything-- my body, my self, my husband, my faith, God, whether or not I was really in labor. Maybe I was just really sick...? Andy thought the contractions were still 15 minutes apart. I thought they were coming on top of each other. Every time he would ask me a question, I could only moan a mournful "I don't knooooooooow..." At some point, amidst all this uncertainty I suddenly became staunchly determined of one thing. It was time to leave. I don't care what anyone says, I don't know what is going on, I just know we have to leave NOW. Get ready. Get the bags. Get the birth plan. And shut up.

As I waited, I bounced on the birth ball with my head on the back of the couch. While Andy was in the other room, I suddenly felt the first break I'd had in hours. For just a few minutes, peace swept over me like a warm blanket. I was thankful, but I knew what this meant-- Transition. I didn't dare speak this out loud or tell Andy. It was too intimidating to imagine being that close to the birth of our child.

We arrived in the parking lot at 7:00 in the morning. We knew this would be my last chance to eat, so I took a bite of a granola bar and immediately threw up all over the parking lot. Oh well.

The determination I felt ten minutes earlier had now turned into intimidation. I remember Andy's voice telling people, "woman in labor here," and I remember people pointing, always pointing, and we followed pointing fingers like roadsigns. The roadsigns eventually led to the overflow room-- the only room in the ward that I had been in before, albeit only once.

After I undressed and put on a hospital gown, I laid on my side and let the surges come, still moaning, just riding each wave without regard to what was happening around me. Eventually a nurse came in to check my cervix. To my surprise and delight, her face went blank when she muttered, "you're complete." Joy filled my heart. I really was in labor and I had accomplished my first major goal-- I had made it past the time when pain medication could be offered. Now I just had to push the baby out.

But that was too scary. I knew she was wrong to put my legs together and tell me not to push, but I was too timid to hear my body telling me that was just the thing to do. So I laid there and waited, moaning and enduring as I had for Godknowshowlong before then. The nurses scurried around the room, getting it ready for the impending birth that suddenly took priority over the others that had been in that hospital waiting for hours. Andy overheard them discussing who was best at catching babies, just in case the doctor didn't make it.

Eventually, a kind and gentle soul came to me and told me to try practicing pushing. Practice pushes I could handle. So I started practicing. My mother arrived, floating in like a nervous butterfly, ready as always to help with eager excitement. Andy almost left to go get the camera, and I yelled at him the first unkind and panicked statement during whole ordeal. He sent someone else. Very early on, Andy said he could see our precious baby boy's head making its way into this world.

The doctor made it in time. His cocky attitude and sharp metal instruments were a rude awakening from this world of gentle, caring women and family that loved me. I didn't notice. He made a rude comment. I didn't notice. I just kept pushing. There was a brief disagreement about the episiotomy. I shut them up. I had work to do. I had emerged from the Dark Forest, and was now as focused as a lioness on the hunt, as powerful as a tiger in battle. At some point the doctor told me to relax and not push. He made a little snip with his lethal scissors. He told me to push and I did, with all the force my body could muster. Then he panicked and raised his voice, telling me to stop pushing. Then in a surprising moment I heard Andy say, "that's it! He's out! You did it! He's born!" I was confused. I thought it was supposed to be another half an hour. (why? I don't know. I just thought that.)



I held my slimy, sticky, amazing baby boy in my arms for the first time. I cried and openly praised God for what He had done. Everyone asked what his name was and Andy said, "this is Peer."



This is Peer. My best friend, my precious baby boy. My firstborn. The one who made me a mother. The one who, without knowing it, birthed me on that day into a new being that I didn't know could exist. I will never forget that day as long as I live, and every year at this time I will relive it, and cherish it, with awe, gratitude, and love.

Wednesday, August 04, 2010

Summer of Theatre (hopefully)

Despite dedicating my career to the craft, and my two degrees in the subject, getting off my butt to actually see theatre is always a difficulty. This has a little to do with me being cheap, and a little to do with being busy (especially before the kid-- when you are constantly performing in shows, spending your little free time viewing one isn't exactly top priority), and a lot to do with just being a homebody. Don't get me wrong-- I'd still see theatre on vacation and such. But not really without a special occasion. Last time I was pregnant, I had no idea how little I would actually get out once I became a mom. (I had no idea about a lot of things...) But this time around, I'm feeling an urge similar to nesting that tells me to see all the theatre I can before this baby arrives. Andy has been particularly eager to support me in this. I think he gets it too. And he loves having a wife that is current in her field, I think. So anyway, I haven't gotten out a lot this season, but so far we've seen Opus at The Fountain Theatre, and last night I went by myself to see a workshop production of Lorraine Hansberry's Les Blancs at Antaeus. And we've also got another trip to Ashland, OR planned where we will both see three productions at the Oregon Shakespeare Festival. Last year I only saw two and regretted it. We've got plans for Hamlet, Pride and Prejudice, and Throne of Blood for me, and then Hamlet, Merchant of Venice, and a new play called American Night for Andy.

Opus is a somewhat new play about a famous string quartet who must replace one of their members after an internal conflict. The small ensemble cast (only 5) included Gregory Gifford Giles, one of Andy's actors from THE MAN WHO WAS THURSDAY, the radio play he is currently producing and directing. I've auditioned at The Fountain before, but I'd never seen a show there. It's one of those cramped 99-seat houses that uses half of their space for stage and the other half for audience (which, btw, was sold out completely for the matinee we saw and we were the only ones in the audience under the age of 60). It's actually a very wise use of the space. The stage was the perfect size and the set design was simple but brilliant. All the performances could best be characterized as precise and well-crafted, fitting to the characters' all being classical musicians. The actors approached their roles just as a musician in a string quartet would approach a piece of music. It's being extended, so I highly recommend catching it before it closes.

Les Blancs is a Lorraine Hansberry piece that I had never read or seen before. If you recall, Hansberry is the playwright who famously penned A Raisin in the Sun, but none of her other works reached near the popularity of that one. Les Blancs takes place in Africa on a mission compound, and for some reason, I'm really attracted to plays that are set in Africa and deal with the racism issue on that front. I find it really fascinating. My biggest reason for vacationing to OSF last year was to see Soyinka's Death and The King's Horseman and I think this play surpasses that one in depth of thought, in my opinion. This show was a workshop production, which for the audience, basically only means that the actors carry scripts around in their hands. All of the acting, set design, costumes, props, etc., are in place and used and are certainly good enough for a "fully staged" production. It's quite easy to forget the actors are even carrying scripts. Antaeus does this sort of workshop production quite a bit, as part of their goal is to allow their actors to explore a brought range of classical texts. I've always loved the work Antaeus does and really enjoy following them. I really hope they bring this show back-- I think it deserves another look. I also feel a little disappointed that I am only writing a paragraph on it. The academic in me really wants to either write a review or a whole paper on it-- there's so much to explore. But alas, if I am to be engaging in academic activity, it should really be my thesis...

I'm also really hoping to get out to a staged reading at A Noise Within this summer. I believe this is the first year that they have been doing these readings and they look really cool. That theatre used to be completely dark over the summer and it seems they have slowly been increasing their summertime activity. And hopefully I will get to see a few more things before the birth of this child. But I must admit that toward the end of the show last night I was getting quite uncomfortable, and as much as my mind was enjoying the play, my body was determined to spoil my fun. Hopefully I'll be able to make it through a few more before I get too uncomfortable to even try.